March 2012
February 2012
“Some may blackly (angrily) accuse me of trying to blacken (defame) the English language, to give it a black eye (a mark of shame) by writing such black words (hostile). They may denigrate (to cast aspersions) me by accusing me of being blackhearted (malevolent), of having a black outlook (pessimistic) on life, of being a blackguard (scoundrel)- which would certainly be a black mark (detrimental fact) against me. Some may black brow (scowl at) at me and hope that a black cat crosses in front of me because of this black deed. I may become a black sheep, who will be blackballed (ostracized) by being placed on a blacklist in an attempt to blackmail or blackjack (compel by threat) me will have a Chinaman’s chance of success, for I am not a yellow-bellied Indian-giver of words, who will whitewash (cover up or gloss over) a black lie (harmful, inexcusable). I challenge the purity and innocence (white) of the English language. I don’t see things in black and white (entirely bad or entirely good) terms, for I am a white man (marked by upright firmness) if there ever was one. However, it would be a black day when I would not “call a spade a spade,” even though some will suggest that a white man calling the English language racist is like the pot calling the kettle black. While many may be niggardly (grudging, scanty) in their support, others will be honest and decent- and to them I say, that’s very white of you (honest, decent).”
—
Robert B. Moore, “Racist Stereotyping in the English Language” (via supporterleschenilles)
Brilliant.
(via mehreenkasana)
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[TW:Rape]
“I think it is absolutely the responsibility of an artist to look into darkness without blinking. I think it is important that we talk about morality and character and the way we dehumanize one another. But I also think the point has been more than made on film that rape is a terrible thing, and at this point, if you’re not contributing some new idea to the conversation, then you are literally just using it as a button, something you push to get a response, and that unnerves me. If I had to pinpoint what bothers me most about the subject, though, it’s that our ratings system in this country is so broken that a film that contains a sustained, brutal rape sequence featuring full-frontal female nudity can breeze right through with an R-rating, but if you include a sequence in which two people engage in spirited, consensual sex and we see anything that resembles reality, you are automatically flirting with an NC-17 or going out unrated. We have created a code of film language in which the single most destructive act of sexual violence is perfectly acceptable to depict in the most graphic, clinical detail, but actual love-making has been all but banished from mainstream film.”
— Drew McWeeny (The Bigger Picture: What happens when we find The Line as viewers? - HitFix.com)